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Father
George MathisKingsport, Tennessee
Using
Artistic Gifts to Beautify Rural Churches
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| Father
George Mathis met with the parishioners of Glenmarys
Immaculate Conception Parish in Pulaski, Tenn. He made
sketches and offered design choices and then held a
workshop for those interested in creating their stained-glass
windows. The end result are the windows pictured above. |
Prior
to becoming a senior member, Father George Mathis described
himself as a frustrated engineer, sculptor, and artist.
He says he never had the opportunity to study art seriously
and apply that study during his years of field ministry
and administrative duties. There simply wasnt enough
time to spare.
Now, he seems to be making up
for all those years. He received senior member status in 1993
and moved to Kingsport, Tenn., where he works as a liturgical
consultant and stained-glass window designer and creator.
I work with pastors who
are involved in building and renovation projects, he
said. I work with those small, rural parishes that cant
afford to hire the big-time consultants.
Most pastors, he said, admit
they have very little aesthetic sense and they are happy
to have the extra help in the use of liturgical space, furnishings,
and overall design of a worship space.
I also help educate congregations
about what a worship space can be. I explain to them what
liturgical renewal is all about.
He has studied various art media,
both in the United States as well as in Europe and has used
his artistic talents throughout his years as a Glenmary priest,
adding to the beauty of many churches, some of them Glenmary
missions.
He designed eight stained-glass
windows for St. Anthony Church in Fayetteville, Tenn., while
he was pastor there . Members of his congregation fabricated
the windows under his guidance. That community technique is
still part of how he works with parishes today.
Having people working on
their own projects, like stained-glass windows, gives them
a sense of ownership, he said.
While doing consulting work for
Glenmarys St. Mary Church in Franklin, Ky., he designed
32 windows and spent four days showing parishioners how to
create the windows. Then I left them to it, he
said. Following the completion of the project, he remembers
how excited and proud they were.
He did the same at Glenmarys
Immaculate Conception Church in Pulaski, Tenn. He met with
a planning committee, made sketches and offered design choices.
The committee selected the designs, Father George made full-sized
patterns of the windows and held a workshop for those interested.
And the creating began.
Everyone who worked on
the windows showed up at Sunday Mass with Band-Aids covering
their fingers, St. Mary parishioner JoAnne Beam told the Tennessee
Register, the newspaper for the Diocese of Nashville.
They became a badge of honor.
My pay for this work is
I want to see the parishioners satisfaction and pleasure
at what they were able to do, Father George said.
In addition, his services save
small, rural parishes an extraordinary amount of money. At
St. Mary, studio-created windows would have cost $75-$150
per square foot, Father George said. The parish-created windows
cost $10 per square foot.
Stained glass adds to the beauty
of a worship space, but the worship space itself should be
unique to the congregation, Father George said.
There is no stereotypic
design, he said. The space should reflect who
and what that congregation is.
In preparing to start a project,
Father George says he encourages communities to be creative
and not look at catalogues to determine what their church
will look like. They need to discern who they are as
a congregation and let the architect interpret that so the
church becomes uniquely theirs.
Parish unity is the greatest
by-product he sees his work creating. When you put a
group of parishioners together several hours a week over several
months creating stained-glass windows or conferring on the
design or reconfiguration of a worship space, he said,
they get to know one another and that brings people
closer together.
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